An Offer From a Gentleman (Bridgertons, Book 3) by Julia Quinn

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By Julia Quinn

Sophie Beckett by no means dreamed she′d be capable to sneak into woman Bridgerton′s famed masquerade ball - or that "Prince Charming" will be ready there for her! although the daughter of an earl, Sophie has been relegated to the position of servant by means of her disdainful stepmother. yet now, spinning within the powerful hands of the debonair and devastatingly good-looking Benedict Bridgerton, she sounds like royalty. unfortunately, she is familiar with all enchantments needs to finish while the clock moves hour of darkness. Who was once that striking lady? Ever for the reason that that magical evening, a radiant imaginative and prescient in silver has blinded Benedict to the sights of the other - other than, might be, this attractive and oddly widespread good looks wearing housemaid′s clothing whom he feels forced to rescue from a so much unpleasant scenario. He has sworn to discover and wed his secret pass over, yet this breathtaking maid makes him susceptible with in need of her. but, if he bargains her his middle, will Benedict sacrifice his in simple terms likelihood for a fairy story love?

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Extra info for An Offer From a Gentleman (Bridgertons, Book 3)

Sample text

This excellent illuminator, whose work has not hitherto been recognized, worked on a Cité de Dieu in the exhibition, no. 163, Fr. 25 (Plate 12), the Commentary on the Psalms, Fr. 964, a Roman de la Rose in Stuttgart, Cod. poet. 6, and several other manuscripts’ (Meiss 1956: 187-196, esp. pp. 195-96, and Plates 11. and 12). The ‘several other manuscripts’ referred to include ‘a Chronique de Froissart (Morgan 804); [and] a Livre des Merveilles (Morgan 723)’. In his French Painting in the time of Jean de Berry.

15. In other contexts, arms displayed reversed can connote defeat in battle; see discussion below of heraldic ornament in the New York manuscript. 16. uk for details of the AHRC-funded project at Edinburgh led by Professor James Laidlaw. 17. During the Reading Medieval Chronicle Conference, Kelly DeVries suggested that this may be one of the earliest attested representations of the use of such firearms for defensive purposes in a French vernacular manuscript. Besançon MS 864 shows the ‘same’ defenders using bow and arrow.

20. For these topoi see Damian-Grint (1999a): purpose of history (94-98), praise of material (1035), and industria (123-31). 21. See Hunt (1979: 31); though Hunt also points out that ‘the metaphor is much commoner … in general contexts without reference to literary exegesis’ (see also 1979: 27, 29-31). 22. Benoît is playing on the two words deslei, one meaning ‘rejoice’ and the other ‘disloyal’. 23.

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